The forms that relating to one another takes today – channeled either into moments of great sharing or, conversely, into small interstices of silence – are the raw material that gives rise to a research into the interpersonal as a source of borrowed, recycled, and returned words and images.
This work takes shape through different media in order to respond to the questions posed to us by contemporary history: what does it mean to build a community? how do today’s technologies respond to our perception of political matter? do effective paths for the expression of dissent still exist, capable of making the human voice an important instrument once again?
For this reason, sound and the fabulation of digital images are the two tools that I feel resonate most strongly with the problems we face on a daily basis. Working between these two shores makes it possible to build a bridge that responds to contemporary hypervisibility and to the increasingly dramatic need for renewed modes of listening.
Starting from this basis allows for a constant interplay with visual and sonic information – such as icons, gestures, and spaces – that characterize an idea of co-presence and co-habitation in today’s world, seeking to identify new forms of making and living together.